Trevor Paglen: Black World, Bellwether, New York, November 16–December 23, 2006. Paglen addresses how the work's themes of mortality, the fragility of life, and the vanity of worldly pleasures are a reaction and response to the current moment and the shared experiences from the COVID-19 pandemic. In this new reality, the digital and the virtual make it possible to continue to keep business moving, to socialize, and to participate. The New Alphabet – Opening Days, Haus der Kulturen der Welt, Berlin. A Different Kind of Order: The ICP Triennial, International Center of Photography, New York. (catalogue). (catalogue). Called ImageNet, the dataset is used to teach artificial intelligence systems how to classify images, and was developed at Princeton and Stanford Universities in 2009. Electronic Superhighway (2016-1966), Whitechapel Gallery, London. Still Revolution: Suspended in Time, CONTACT Toronto Photography Festival and the Museum of Contemporary Canadian Art, Toronto. The Actions of Things, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. Trevor Paglen, Galerie Thomas Zander, Cologne, March 21–June 13, 2009. Trevor Paglen: Bloom / Pace Gallery / London / reviewed by Katie Smith A computer functions on far more than a click of a few buttons. As art spaces continue to grapple with visitor access in a post-COVID era, Paglen’s new work offers a new perspective on virtual engagement in the gallery space. Quiet Earth, presented by Ballroom Marfa, Robert Rauschenberg Foundation, New York. The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are explored through the histories of landscape photography, abstraction, Romanticism, and technology. Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. Artist Sammy Baloji on Colonial Legacies, New Stories and Creating the Lubumbashi Biennale … Available for sale from Pace Gallery, Trevor Paglen, AC (2020), Pigment on textile, 49.8 × 49.8 × 3.8 cm Trevor Paglen: Inaugural Exhibition Solo Show, Officine Grandi Riparazioni, Turin, March 12–May 31, 2020. In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts. 2008 Taipei Biennial, Taipei Fine Arts Museum, Taiwan. The Big Nothing: A Void, Philadelphia Institute of Contemporary Art, Pennsylvania. The Electric Comma, V-A-C Foundation, Palazzo delle Zattere, Venice. Le 10 septembre dernier, Trevor Paglen ouvrait les portes de sa nouvelle exposition dans l'espace de la Pace Gallery à Londres. Smithsonian American Art Museum, Washington, D.C. Utah Museum of Fine Arts, The University of Utah, Salt Lake City, Victoria and Albert Museum, London, United Kingdom. This is Pace’s second exhibition with the artist. Trevor Paglen: Opposing Geometries, Carnegie Museum of Art, Pittsburgh, Pennsylvania, September 4, 2020–March 14, 2021. Political Populism, Kunsthalle Wien Museumsquartier, Vienna. Home Land Security, Fort Winfield Scott at Langdon Court, Golden Gate National Recreation Area, San Francisco. Visual Arts, Appalachian State University, Boone, North Carolina. We disregard the future. The Encuentro de Medellin, 2011, Museo de Antioquia, Medelin, Colombia. Vortexhibition Polyphonica, Henry Art Museum, University of Washington, Seattle. Available for sale from Pace Gallery, Trevor Paglen, The Model (Personality) (2020), Silver-plated bronze, 18.4 × 18.1 × 13.7 cm Necessary Force: Art in the Police State, University of New Mexico Art Museum, Albuquerque. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom will be presented from 10 September to 10 November 2020 and explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. #1: Cartagena Biennial, Cartagena de Indias, Colombia. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. 1974) is an American artist examining the systems and technologies that shape our world. He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Share; Tweet; Advertisement. (catalogue). A mid-career survey in 2018–2019, Trevor Paglen: Sites Unseen, was a traveling exhibition shown at the Smithsonian American Art Museum in Washington DC and Museum of Contemporary Art San Diego. (catalogue). Trevor Paglen, California College of Arts and Crafts, San Francisco. Trevor Paglen: Autonomy Cube, Tensta Konsthall, Spånga, Sweden, February 1–May 7, 2017. Beyond Truth: Photography After the Shutter, The Cleveland Museum of Art. Age of You, Museum of Contemporary Art Toronto. It’s generating a lot of buzz! (Catalogue). Trevor Paglen: A Compendium of Secrets, Kunsthalle Giessen, Germany. From Jadé Fadojutimi's purposeful paintings at Pippy Houldsworth Gallery to Trevor Paglen's floral AI animations at Pace. The dataset for Distracted Drivers, for example, is a collection of images used to recognise if someone is distracted while driving by an AI system. In a complex body of work that encompasses sculpture, photography, drawings and digital practices like facial recognition technology and AI, Trevor Paglen interrogates the systems that underpin today’s society. 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed, 45.7 cm × 45.7 cm (18" × 18"); 49.8 cm × 49.8 cm × 3.8 cm (19-5/8" × 19-5/8" × 1-1/2") framed, Edition 1 of 3 + 1 AP, 121.9 cm × 121.9 cm (48" × 48"); 124.8 cm × 124.8 cm × 5.1 cm (49-1/8" × 49-1/8" × 2"), framed, Edition 2 of 5 + 2 APs, 48" × 48" (121.9 cm × 121.9 cm); 49-1/8" × 49-1/8" × 2" (124.8 cm × 124.8 cm × 5.1 cm), framed, Edition 2 of 5 + 2 APs. POW!, California College of Arts and Crafts, San Francisco. Galileo e le Arti, Palazzo del Monte di Pietá, Italy. 2019. Traveled to: Cooper-Hewitt, National Design Museum, Governors Island, New York; Hammer Museum, Los Angeles; Grand Rapids Art Museum and Kendall College of Art Gallery, Michigan; Contemporary Arts Museum Houston; Southeastern Center for Contemporary Art , Winston-Salem, North Carolina; and Rhode Island School of Design, Providence. Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism, Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana. Trevor Paglen: Orbital Reflector, Nevada Museum of Art, Reno, April 29, 2016–May 12, 2019. 73-3/16" × 57-3/16" × 2-9/16" (185.9 cm × 145.3 cm × 6.5 cm), framed, 48" × 48" (121.9 cm × 121.9 cm) Trevor Paglen was born in 1974 in Maryland, and his wide-ranging work includes sculpture, journalism, and engineering as well as image-making. Weather Permitting, 9th Bienal do Mercosul, Porto Alegre, Brazil. Pace is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. Here We Are Today, Bucerius Kunst Forum, Hamburg. Bloom. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 – November 10, 2020 – Contemporary art with installation views After the Gold Rush: Contemporary Photographs from the Collection, Joyce and Robert Menschel Hall for Modern Photography, The Metropolitan Museum of Art, New York. California and the West: Photography from the Campaign for Art, San Francisco Museum of Modern Art. Trevor Paglen présente douze photographies à la Pace Gallery, The Shape of Clouds. Scenographies of Power, La Casa Encendida, Madrid. This website uses cookies to offer you a better browsing experience. Trevor Paglen was born in 1974 at an Air Force base in Maryland where his father was an ophthalmologist. A l’heure où tout devient sujet au « cyber » - cyberculture, cyber infomatisation, cyber technologie, ou sujet de « data », Trevor Paglen, choisit comme de nombreux artistes contemporains de s’appuyer sur la science, principalement, pour créer et s’engager. Presented alongside these sculptures are a series of new drawings and compositional paintings that are similarly based on mathematical simplifications produced by various computer vision algorithms. Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida. Courtesy Trevor Paglen and Pace Gallery In his “CLOUD” series (2019), Paglen uses algorithms to analyze transcendental photos of the sky; he has continued exploring this technique … Le 10 septembre dernier, Trevor Paglen ouvrait les portes de sa nouvelle exposition dans l'espace de la Pace Gallery à Londres. In the Private Eye, ISE Cultural Foundation, New York. Dark Matters: Artists See the Impossible, Yerba Buena Center for the Arts, San Francisco. Trevor Paglen, American University Museum, Katzen Arts Center, Washington, D.C. Trevor Paglen: Hidden Landscape, Aksioma, Ljubljana, Slovenia, April 4–22, 2011. 26-3/4" × 20-1/4" × 1-1/2" (67.9 cm × 51.4 cm × 3.8 cm), framed, 22" × 18" (55.9 cm × 45.7 cm) Taking centre stage in the exhibition is The Standard Head, a large-scale reconstruction of the 1960’s mathematical model of a “standard head” by the pioneering researcher funded by the CIA, Woody Bledsoe. : from Paranoia to the KW Institute for Contemporary Art Gallery representing the most significant artists and estate the! Glaspalast, Augsburg, Germany, but it has been simplified in order for.!, Krakow, Poland the Different parts of the 20th and 21st...., Netherlands inspection, the colours separate, and engineering as well as image-making was born in in! 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